urban needle, room to noise
Exhibiting urban needle together with Ceren Oykut, Ibrahim Quraishi, Johannes Vogl and Kobakant at “Es war einmal in einer unbekannten Zukunft” (curated by Özgür Erkök Moroder, Kristina Kramer) – 48h Neukölln.
urban needle is kindly supported by pepperl+fuchs
Muzak Architectures is a work by Ingo Randolf and based on an adaption of his installation urban needle. How does it sound if the needle of a record-player is not put on a record, but plays back a room? Instead of a rotating record it would be the needle spinning in the room, turning the principles of a record player inside out. The room carries all the informations of the sounds which are usually played in the wellness spa Hummelhof and is a wave-shaper at the same time. The room is a muzak territory which is sounded out by a hard listening scanbot.
more information on [H:UMMMM].
Muzak Architectures is kindly supported by pepperl+fuchs
Exhibiting urban needle together with Aravinth Panchadcharam, So Kanno and Thomas O’Reilly at HUMAN ♥ ROBOT – spektrum-berlin.
urban needle is kindly supported by pepperl+fuchs
urban needle scans rooms and urban spaces in an automated process, transforming the shape of the room into sound.
like a record needle, it plays back a room producing room-based noise. the room is the reel.
urban needle is kindly supported by pepperl+fuchs
urban needle scans rooms and urban spaces in an automated process, transforming the shape of the room into sound.
like a record needle, it plays back a room producing room-based noise. the room is the reel.
urban needle is kindly supported by pepperl+fuchs
sonification of rooms (SoR) is a series of projects to translate rooms into sound. starting point was a concert of vinyl terror and horror in 2013 imagining a record needle turning in the room, instead of having a rotating record. how would that sound?
a first version was presented at the schmiede in hallein 2014. a point laser was scanning a room in an automated process playing back the measurement, creating a slowly changing noise.
SoR-I was kindly supported by micro-epsilon
“urban needle” uses the same principle for sonifying urban spaces.